Jan 4, 2022
In s2e10, co-hosts Ann Shafer and Tru Ludwig continue talking about Italian printmaking in the 16th century focusing on MarcAntonio Raimondi, Agostino Veneziano, Giulio Romano, and our first female artist, Diana Scultori. They take a deep dive into MarcAntonio's Judgment of Paris (after a drawing by Raphael), from which Edouard Manet extracted the figural group for Déjuener sur l'herbe. Plus, the 1527 Sack of Rome changes everything.
Episode image: Marcantonio Raimondi (Italian, c. 1480–before 1534), after Raphael (Italian, 1483–1520). The Judgment of Paris, c. 1510–20. Engraving. Sheet (trimmed within platemark): 11 7/16 x 17 3/16 in. (291 x 437 mm.). Metropolitan Museum of Art, New York.
Domenico Campagnola (Italian, 1500–1564), possibly after a drawing
by Titian (Italian, c. 1485/90–1575). Battle of the Nude
Men, 1517. Engraving. Sheet (trimmed to plate): 8 3/4 × 8
15/16 in. (222 × 227 mm.). Metropolitan Museum of Art, New
York.
Marcantonio Raimondi (Italian, 1480–1527/34), after Raphael
(Italian, 1483–1520). The Death of Lucretia, c. 1511–12.
Engraving. Sheet (trimmed within platemark): 216 x 134 mm. (8 ½ x 5
¼ in.). Museum of Fine Arts, Boston.
Marco Dente da Ravenna (Italian, active by 1515–1527). Laocoön
and his two sons being attacked by serpents, c. 1506.
Engraving. Sheet (trimmed to platemark): 11 1/8 × 15 5/8 in. (282 ×
397 mm.). Metropolitan Museum of Art, New York.
Marco Dente da Ravenna (Italian, active by 1515–1527). Laocoön
and his two sons being attacked by serpents, c. 1520.
Engraving. Sheet (trimmed to platemark): 17 7/16 × 12 15/16 in.
(443 × 329 mm.). Metropolitan Museum of Art, New York.
Michelangelo (Italian, 1475–1564). David, 1502–04. Marble.
Galerie dell’Accademia, Florence, Italy.
William Blake (English, 1757–1827). Laocoon, 1825–27.
Etching and engraving. 276 x 229 mm.
Titian (Italian, c. 1488/90–1576). Bacchus and Ariadne,
1522–23. Oil on canvas. 69 ½ x 75 in. (176.5 x 191 cm.). National
Gallery, London.
Giorgione (Italian 1477/78–1510). The Tempest, c. 1508.
Oil on canvas. 83 x 73 cm. (33 x 29 in.). Galerie dell’Accademia,
Venice.
Marcantonio Raimondi (Italian, c. 1480–before 1534), after Raphael
(Italian, 1483–1520). The Judgment of Paris, c. 1510–20.
Engraving. Sheet (trimmed within platemark): 11 7/16 x 17 3/16 in.
(291 x 437 mm.). Metropolitan Museum of Art, New York.
Titian (Venetian, 1488/1490–1576). Pastoral Concert or
Fête champêtre, c.1508-10. Oil on canvas. 105 x 137 cm.
Musée du Louvre, Paris.
Édouard Manet (French, 1832–1883). Le Déjenuer sur
l’herbe, 1863. Oil on canvas. 208 x 264.5 cm. Musée d’Orsay.
Paris.
Diana Scultori (Italian, 1536–1588). The Virgin and Child
accompanied by many angels seated on a bank of clouds,
1547–1612. Engraving. Sheet (trimmed to platemark): 330 x 416 mm.
British Museum, London.
Diana Scultori (Italian, 1536–1588), after Giulio Romano (Italian,
c. 1499–1546). Christ and the Woman taken in adultery, standing
between two Salomonic columns of a temple, 1575. Engraving.
Sheet (trimmed to platemark): 420 x 577 mm. British Museum,
London.
Diana Scultori (Italian, 1536–1588), after Giorgio Vasari (Italian,
1511–1574). The Visitation, 1588. Engraving. Sheet
(trimmed to platemark): 390 x 284 mm. British Museum, London.
Diana Scultori (Italian, 1536–1588), after Giulio Romano (Italian, c. 1499–1546). The archangels Michael, Gabriel and Raphael adoring the Virgin and Child who occur above seated on a cloud, 1547–1612. Engraving. Sheet (trimmed to platemark): 340 x 270 mm. British Museum, London.