Oct 12, 2021
In s2e3, co-hosts Ann Shafer and Tru Ludwig finally start talking about an artist. While there are artists of note before Dürer--say Martin Schongauer--he really changes everything. From his monogram claiming authorship to marketing his works, Dürer is the man. So much so that Ann and Tru only get through half of his story. A second episode will continue Dürer's story.
Albrecht Dürer (German, 1471–1528). Self-Portrait at
Thirteen, 1484. Silverpoint on prepared paper. 27.3 x 19.5 cm.
(10 3/4 x 7 5/8 in.). Albertina, Vienna.
Jan van Eyck (Netherlandish, 1390–1441). Arnolfini
Portrait, 1434. Oil on wood. 32 x 24 in. National Gallery,
London.
Jan Van Eyck (Flemish, active 1422–1441). Portrait of a Man
(Self-Portrait), 1433. Oil on oak. 26 x 19 cm. (10 ¼ x 7 ½
in.). National Gallery, London.
Hugo van der Goes (Flemish, c. 1430/1440–1482). Portinari
Altarpiece, 1475–76. Oil on wood. 253 x 304 cm. (99 ½ x 119
5/8 in.). Galleria degli Uffizi, Florence.
Martin Schongauer (German, c. 1435/50–1491). Saint Anthony
Tormented by Demons, c. 1470–75. Engraving. Sheet: 30 x 21.8
cm. (11 13/16 x 8 9/16 in.). Metropolitan Museum of Art, New
York.
Antonio Pollaiuolo (Florentine, 1429 or 1433–1498). Battle of
the Nudes or Battle of the Naked Men, c. 1470–90.
Engraving. 39.3 x 57.9 cm. (15 ½ x 22 3/4 in.). Cincinnati Art
Museum.
Albrecht Dürer (German, 1471–1528). Self-Portrait, 1500.
Oil on panel. 67.1 × 48.9 cm. (26 1/3 × 19 1/3 in.). Bayerische
Staatsgemäldesammlungen - Alte Pinakothek München.
Albrecht Dürer (German, 1471–1528). Self-Portrait, 1498.
Oil on panel. 52 x 41 cm. (20 ½ x 16 1/8 in.). Museo del Prado,
Madrid.
Albrecht Dürer (German, 1471–1528). The Virgin Appearing to
Saint John, from the series The Apocalypse, 1498.
Woodcut. Sheet: 44.1 x 30.3 cm. (17 3/8 x 11 15/16 in.).
Metropolitan Museum of Art, New York.
Albrecht Dürer (German, 1471–1528). Saint John Devouring the
Book, from the series The Apocalypse, 1498. Woodcut.
Sheet: 44.1 x 30.6 cm. (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3
cm. (15 1/2 x 11 1/8 in.). Metropolitan Museum of Art, New
York.
Albrecht Dürer (German, 1471–1528). Saint Michael Fighting the
Dragon, from the series The Apocalypse, 1511.
Woodcut. Image: 39.2 x 28.3 cm. (15 7/16 x 11 1/8 in.); sheet: 44.1
x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New
York.
Albrecht Dürer (German, 1471–1528). The Martyrdom of Saint
John, from the series The Apocalypse, 1511. Woodcut.
Sheet: 39.1 x 28.3 cm. (15 3/8 x 11 1/8 in.). Metropolitan Museum
of Art, New York.
Albrecht Dürer (German, 1471–1528). The Four Horsemen of the
Apocalypse, from the series The Apocalypse, 1498.
Woodcut. 39.3 x 28.5 cm. (15 1/2 x 11 1/4 in.). Baltimore Museum of
Art, Baltimore.
Albrecht Dürer (German, 1471–1528). The Vision of the Seven
Candlesticks, from the series The Apocalypse, 1498.
Woodcut. 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of
Art, New York.
Albrecht Dürer (German, 1471–1528). Saint John Devouring the
Book, from the series The Apocalypse, 1498. Woodcut.
Sheet: 44.1 x 30.6 cm (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm
(15 1/2 x 11 1/8 in). Metropolitan Museum of Art, New York.
Albrecht Dürer (German, 1471–1528). Four Female Nudes (The Four
Witches), 1497. Engraving. 19.2 x 13.6 cm (7 5/8 x 5 3/8 in).
Albertina, Vienna.
Albrecht Dürer (German, 1471–1528). Nemesis (The Great
Fortune), c. 1501–02. Engraving. Plate: 33.5 x 23.3 cm (13
3/16 x 9 3/16 in); sheet: 36 x 25.9 cm (14 3/16 x 10 3/16 in).
National Gallery of Art, Washington.
Albrecht Dürer (German, 1471–1528). The Great Piece of
Turf, 1503. Watercolor and gouache heighted with white,
mounted on cardboard. 40.8 x 31.5 cm (16 x 12 3/8 in). Albertina,
Vienna.
Albrecht Dürer (German, 1471–1528). Young Hare, 1502.
Watercolor heightened with white. 25 x 22.5 cm. (9 ¾ x 8 ¾ in.).
Albertina, Vienna.
Albrecht Dürer (German, 1471–1528). Praying Hands, 1508.
Brush and gray wash heightened with white on blue prepared paper.
29.1 x 19.7 cm (11 1/2 x 7 3/4 in). Albertina, Vienna.
Albrecht Dürer (German, 1471–1528). The Fall of Man or
Adam and Eve, 1504. Engraving (second state). 25.4 x 19.5
cm (10 x 7 5/8 in). Albertina, Vienna.
Albrecht Dürer (German, 1471–1528). The Fall of Man or
Adam and Eve, 1504. Engraving. 25.1 x 20 cm (9 7/8 x 7 7/8
in). Metropolitan Museum of Art, New York.